Don’t Throw Film Away
Motion picture film forms an indispensable part of our cultural heritage and a unique record of our history and our daily lives. Film archives, both public and private, are the organizations responsible for acquiring, safeguarding, documenting and making films available to current and future generations for study and pleasure.
The International Federation of Film Archives (FIAF) and its affiliates comprising more than 150 archives in over 77 countries have rescued over two million films in the last seventy years. However for some genres, geographical regions and periods of film history the survival rate is known to be considerably less than 10% of the titles produced.
On the occasion of its 70th anniversary, FIAF offers the world a new slogan: “DON’T THROW FILM AWAY”. If you are not sufficiently equipped to keep film yourself, then FIAF and its members will gladly help you locate an archive that is. Film is culturally irreplaceable, and can last a long time, especially in expert hands.
While fully recognizing that moving image technology is currently driven by the progress achieved in the digital field, the members of FIAF are determined to continue to acquire film and preserve it as film. This strategy is complementary to the development of efficient methods for the preservation of the digital-born heritage. FIAF affiliates urge all those who make and look after films, whether they be professionals or amateurs, and the government officials in all nations responsible for safeguarding the world cinema heritage, to help pursue this mission.
The slogan “DON’T THROW FILM AWAY” means that film must not be discarded, even though those who hold it may think they have adequately secured the content by transferring it onto a more stable film carrier or by scanning it into the digital domain at a resolution which apparently does not entail any significant loss of data. Film archives and museums are committed to preserve film on film because:
• A film is either created under the direct supervision of a filmmaker or is the record of an historical moment captured by a cameraman. Both types are potentially important artifacts and part of the world’s cultural heritage. Film is a tangible and “human-eye readable” entity which needs to be treated with great care, like other museum or historic objects.
• Although film can be physically and chemically fragile, it is a stable material that can survive for centuries, as long as it is stored and cared for appropriately. Its life expectancy has already proved much longer than moving image carriers like videotape that were developed after film. Digital information has value only if it can be interpreted, and digital information carriers are also vulnerable to physical andchemical deterioration while the hardware and software needed for interpretation are liable to obsolescence.
• Film is currently the optimal archival storage medium for moving images. It is one of the most standardized and international products available and it remains a medium with high resolution potential. The data it contains does not need regular migration nor does its operating system require frequent updating.
• The film elements held in archive vaults are the original materials from which all copies are derived. One can determine from them whether a copy is complete or not. The more digital technology is developed, the easier it will be to change or even arbitrarily alter content. Unjustified alteration or unfair distortion, however, can always be detected by comparison with the original film provided it has been properly stored.